His post-conceptual practice explores the relationships between the computational paradigm and art, with a particular interest in the processes of scientific and technical colonization of the artistic ...
+ info
His post-conceptual practice explores the relationships between the computational paradigm and art, with a particular interest in the processes of scientific and technical colonization of the artistic discourse itself. Since 2018, he has been exploring the possibility of conceiving artistic production as a form of free energy production: a non-utilitarian process in which matter, information, and affect are organized as a system of possibilities. His work unfolds through the dissolution of boundaries between object, subject, and medium. Thus, elements such as screws, wall plugs, industrial plastics, fuels, or electricity become entities with altered epistemological and ontological substrates. He understands aesthetics as a form of knowledge capable of de-hierarchizing pre-established categories, allowing them to operate on the same plane of immanence- info
Participation in Projects
Centre de Recerca sobre Cultura i Sostenibilitat (CRECS)
.
2022 - 2026
. Ref.2021 SGR 00237
. Agència de Gestió d'Ajuts Universitaris i de Recerca (AGAUR)
. PI: Jose Luis Menendez Varela
Relevant publications (Journal Publications and Other publications)
Trigo, R.(2015).
Abstracción referencial. Philippe Decrauzat. Formas que omiten a lo que aluden.BRAC-Barcelona, Research, Art, Creation, 3(3), pp. 205 - 232
. Institutional Repository. ISSN: 2014-8992Trigo, R(2020).
Nota al pie.Afluir, Extra2, pp. 203 - 210
. https://doi.org/10.48260/ralf.extra2.35. ISSN: 2659-7721Trigo, R.(2018).
Informational Performance
. tzvetnik.online
. Online (http://tzvetnik.online/portfolio_page/informational-performance-ricardo-trigo/)Lecuona, B; González Cabrera, L; Trigo, R; Ferrer, D; Requena M; Salas Lamamie de Clairac, R.(2018).
Crisis? What Crisis? Cap.1 Modernismos posmodernos
. Tenerife Espacio de las Artes (TEA)
. ISBN: 978-84-944395-8-2
. https://www.academia.edu/37297099/Crisis_What_Crisis_Cap.1_Modernismos_posmodernos_-_TEA.pdfArmengol, D; Trigo, R(2016).
BCN Producció '16
. In
BCN Producció '16
. Institut de Cultura de Barcelona
. ISBN: 978-84-9850-879-6
.
Trigo, R.(2024).
Festival
. (pp. 1 - 208)
. LIO Ressò
. ISBN: 978-84-128859-1-0
. https://www.laimpremtaoberta.coop/product/festival-el-carbon-como-combustible-sensible/
Exhibitions
Crisis?, What Crisis?. (Collective)
. 09/12/2016 - 12/03/2017
. Handy Rule No. 5 (2016), Handy Rule No. 6 (2016), Serial Deduction No. 2 (2016), Serial Deduction No. 3 (2016), Oriended Combustions (Mechanical Miracles) (2016). 978-84-944395-8-2Background Immunity. (Individual)
. 27/04/2016 - 12/06/2016
. Oriented Combustions (2015-2016), Handy Rules (2016), Preresolutions (2015-2016), Performing Attachments (2014), Background Immunity (2016). 978-84-985087-9-6Fácil. Complicar el discurso, sin el ni un. (Individual)
. 08/05/2012 - 23/06/2012
. Unrendered, Fundamental Dyslexia (2010), Gyroscope Chroma, Background, Figure and Reference (2012), Informational Circuit (2011), Com un llum! (2012). https://www.fundaciosunol.org/es/publicacion-fundacio/acte-23-ricardo-trigo/Tirar la llave para romper la puerta . (Individual)
. 01/08/2021 - 28/08/2021
. Conceptography No.1 y No.2, (2021) y Work No. 28, (2021)Colza. (Individual)
. 30/04/2022 - 30/04/2022
. Work no. 30, 31 y 32 (2022)