PhD of Advanced Studies in Artistic Production from the University of Barcelona, since 2008 he has been working as a Lecturer in Audiovisuals and Gender Studies at the Faculty of Fine Arts of the University of Barcelona. In 2009, he completed a Master's Degree in Artistic Production and Research, and in the same year, he completed the Postgraduate Programme of Independent Studies (PEI) at the Museu d'Art Contemporani de Barcelona (MACBA). He completed his training with his doctoral thesis "Transbutch. Gender border struggles between art and politics" in 2016. He has also taught at UNIBA International University Centre of Barcelona, affiliated with the University of Barcelona (UB), at TecnoCampus, affiliated with Pompeu Fabra University (UPF), and at Miguel Hernández University (UMH) in Elche. It is at the latter institution that she participates as an external lecturer in the Master's Degree in Cultural Studies and Visual Arts (cuir/queer feminist perspectives) MUECA.
His artistic work has been exhibited in numerous venues, including the Huarte Centre for Contemporary Art, the Andalusian Centre for Contemporary Art, Can Felipa, the Sala d'Art Jove, the LGTBI Centre in Barcelona, the Fabra i Coats creative factory, Caixaforum, La Virreina Centre de la Imatge, the Centre d'Art Santa Mònica, the Centre de Cultura Contemporània de Barcelona (CCCB), the Museu d'Art Contemporani de Barcelona (MACBA), the Museo Nacional Centro de Arte Reina Sofía (MNCARS), ETOPIA Centre for Art and Technology, and the Centro de Arte Contemporáneo de Quito (Ecuador).
He has participated as a researcher in the competitive projects Connected Bodies. Art and Identity Cartographies in Transmedia Society (2017-2020), Connected Bodies II. New Processes of Dissemination and Creation of Artistic Practices in Non-Presence (2021-24) and Connected Bodies III. Latent Spaces of Artificial Intelligence in Audiovisual Identity Creation (2022-23) of the Ministry of Science, Innovation and Universities, and MUSAE. People-planet centred and ethical development of digital and industrial technologies (2022-25) of the European Union's Horizon EU S+T+ARTS Programme. Since 2020, she has been part of the IMARTE research group. Research, art, science and technology group at the University of Barcelona.
She has published various texts in several books, such as Transfeminismos. Epistemes, fricciones y flujos (2013), Barbarismos queer y otras esdrújulas (2017), Cuerpos conectados. Arte, identidad y autorrepresentación en la sociedad transmedia (2021), TQS Transgender Studies Quarterly (2021), Arte y espacio social en tiempos de control, descontrol y aislamiento (2022), AAAA* Arte, Alianzas, Afectos y Algo más (2022), Glossary of Common Knowledge Vol. 2 (2022), Digital Fissures. Bodies, Genders, Technologies (2023), Arte identitario en la no presencialidad (2024), Sexual Dissidences. Frau Diamanda's Catalan Scenes, Travesti, Politics of Resistance, and Anti-canonical Knowledge (2025) Irradiaciones, dobles rendijas y celdas cristalinas (2025) and Memorias queer y prácticas de archivo (2025).
In 2010, she received first prize in audiovisual creation from the Government of Navarra at the 2010 Young Artists of Navarra Meeting. in 2011, he received the research award from the Sala d'Art Jove, and in 2018 and 2019, he received the Grant for Research and Innovation in the fields of visual arts, new creative sectors, performing arts, music and thought from the Department of Culture of the Generalitat de Catalunya.
